Kelvin color temperature applies to every kind of light - daylight to candlelight and beyond. Below is a listing for the on-camera filters that are commonly used in color photography. This chart should be used as a reference point because the Kelvin color temperature for any light source can vary over time.
For another perspective, On-Camera Filters Colors and Effects sorts these filters by color. For filters used in Infrared photography, see Infrared Photography.
Common filters grouped by number: |
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#80 Filters are very cool |
#81 Filters are a little bit warm |
#82 Filters are a little bit cool |
#85 Filters are very warm |
"A Type" | For use on movie sets. Movie sets use 3400°K lights A Type = 3400°K photofloods for movies = special tungsten film for movies |
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80A Blue filter | 5600°K daylight color films with 3400° photofloods. |
81A Brown/orange filter | 3400°K tungsten color film with "Type B" 3200° photofloods. |
82A Light blue filter | "Type A" 3400°K tungsten color films with 3200° photofloods. |
85A Orange filter | "Type A" 3400°K tungsten color films can be used in 5600° daylight. |
"B Type" | For use with standard photofloods. These are 3200°K films and lights B Type = 3200°K photofloods = Tungsten Film |
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80B Blue filter | Daylight color films with "Type B" 3200°K photofloods. |
81B Brown/Orange filter | Eliminates blue cast found in high altitude mountain photography or when shooting during a very clear day. Also "Type A" film with "Type B" photofloods. |
82B Light blue filter | "Type B" 3200°K tungsten color film with household bulbs (2800-2400°). |
85B Orange filter | "Type B" tungsten color films in 5600°K daylight. |
"C Type" | Refers to "clear flash" (5800°K) and work well with daylight balanced films |
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80C Blue filter | 5800°K lights with daylight color films. |
81C Brown/orange filter | Prevents blue cast in cloudy and rainy weather. |
82C Light blue filter | Reduces the reddish cast from shooting in early morning or late afternoon. |
85C Orange filter | Convert 5500°K lighting to 3800°K. |
Other Filters | |
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Skylight | Absorbs ultraviolet rays and blue. Used to eliminate blue cast in distant scenes and in shade. |
UV | (a.k.a. "Haze") Used to eliminate blue cast in distant scenes and in shade. Absorbs ultraviolet rays. |
FL-D | Eliminates green cast when daylight type films are used under fluorescent lights. |
FL-W | Eliminates green cast when daylight type films are used under white fluorescent lights. |
ND | Of various darkness, they are used to lower the intensity of light striking the film to enable larger apertures for shallow depth-of-field, slower speeds, and special effects. |
ND 2/4/8 | Used to lower the intensity of light striking the film to enable larger apertures for shallow depth-of-field, slower speeds, and special effects. |
K2 | Absorbs part of the spectrum between ultraviolet and violet. Makes clouds stand out. Also used for natural rendition of colors in black and white tones. |
G | Absorbs part of the spectrum between ultraviolet and blue-green. Provides stronger contrast than K2. Especially effective for distant scenes. |
X0 | Transmits green and absorbs part of the spectrum between ultraviolet and blue. Natural rendition of skin and lips of female models. Highly effective for outdoor portraits. |
Polarizer | Helps reduce reflections and glares while reducing haze. |
25A | Absorbs the spectrum between ultraviolet and yellow. Provides the strongest contrast. Makes daylight scenes as though photographed at night. Also used in infrared photography. |
25 red | To be used with infrared film, this filter will allow you to see through the viewfinder and shoot pictures without a tripod outdoors, but anything moving will create motion blur. Creates a dark sky and more overall contrast. |
15 orange | To be used with infrared film, this will block some unwanted visible light. This may not create much contrast but will preserve details in shadows and highlights while allowing short exposure times. |
Variable ND | Can decrease the light coming into the camera by 2-8 stops. This filter allows very long exposures during the day time and is great for video in order to shoot in bright lighting conditions while maintaining a shallow depth of field. |
Star Filter | This special FX filter creates streaks of light from one central source of light in the frame, making the light source resemble a star. |
Streak Filter | This special FX filter creates a singular streak of light from one central source of light in the frame. |
Cameras and Accessories
Cameras and Accessories
Cameras and Accessories
Filters